Shot I-Log on the new Luna Ultra and your footage looks grey and washed out? These LUTs bake the I-Log → Rec.709 conversion and a finished creative grade into a single .cube file — one node or one adjustment layer from flat to cinematic.
Tuned to what the Luna is actually good at: a 1-inch main sensor with real low-light reach, clean neutral optics, and 4K/120 slow-motion. Night looks are first-class citizens here, not an afterthought — and two looks are free. Shoot I-Log in SDR (not HDR/Dolby Vision) for these to decode correctly.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The clean do-everything Luna conversion — flat I-Log to a neutral filmic image with honest skin tones, gentle contrast and soft highlight rolloff. Start here.
Built for the Luna's 1-inch low-light reach — deep clean shadows, glowing protected neons and cool blue undertones for night city and after-dark footage.
Golden-hour warmth for Luna travel footage — amber highlights, sun-kissed skin and clean warm shadows that hold up long after sunset.
Punchy travel color for Luna clips headed straight to the feed — vivid skies, rich greens, lifted energy without crossing into oversaturated.
Moody desaturated city grade — slate shadows, restrained color and weighty contrast for street, architecture and overcast Luna footage.
Classic reportage rendering — neutral-cool clarity, true-to-life color and crisp micro-contrast that flatters the Luna's clean optics.
The flagship Luna look — teal shadows, warm highlights and filmic contrast. Turns flat I-Log into a polished blockbuster grade in one click.
High-contrast night noir with hard-protected highlights — made for the Luna's 4K/120 and 240fps slow-mo, where light sources streak and bloom.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.