Shot I-Log on the new Luna Ultra and your footage looks grey and washed out? These LUTs bake the I-Log → Rec.709 conversion and a finished creative grade into a single .cube file — one node or one adjustment layer from flat to cinematic.
Tuned to what the Luna is actually good at: a 1-inch main sensor with real low-light reach, clean neutral optics, and 4K/120 slow-motion. Night looks are first-class citizens here, not an afterthought — and two looks are free. Shoot I-Log in SDR (not HDR/Dolby Vision) for these to decode correctly.
The clean do-everything Luna conversion — flat I-Log to a neutral filmic image with honest skin tones, gentle contrast and soft highlight rolloff. Start here.
Built for the Luna's 1-inch low-light reach — deep clean shadows, glowing protected neons and cool blue undertones for night city and after-dark footage.
Golden-hour warmth for Luna travel footage — amber highlights, sun-kissed skin and clean warm shadows that hold up long after sunset.
Punchy travel color for Luna clips headed straight to the feed — vivid skies, rich greens, lifted energy without crossing into oversaturated.
Moody desaturated city grade — slate shadows, restrained color and weighty contrast for street, architecture and overcast Luna footage.
Classic reportage rendering — neutral-cool clarity, true-to-life color and crisp micro-contrast that flatters the Luna's clean optics.
The flagship Luna look — teal shadows, warm highlights and filmic contrast. Turns flat I-Log into a polished blockbuster grade in one click.
High-contrast night noir with hard-protected highlights — made for the Luna's 4K/120 and 240fps slow-mo, where light sources streak and bloom.