Phone cameras bake contrast and saturation into every clip, so film LUTs built for log footage break them. This pack is tuned for Rec.709 phone video: correct first, stylize gently, never crush.
Use these on iPhone or Android footage shot in the stock camera app. For iPhone ProRes Log, use the cinematic or signature packs with the Apple Log footage type instead.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
Undoes the over-processed phone look: tames harsh contrast, recovers blown highlights, and eases oversaturation back to natural. The "make it look right again" baseline.
For outdoor and daylight phone clips — neutral white balance, soft highlight recovery for skies and snow, and gentle vibrance that lifts landscapes without going neon.
A dialed-back film look that survives 8-bit footage — faint teal shadows, gently warm highlights, and modest contrast. Cinematic vibe without the clipping.
Gentle golden warmth that flatters skin and vlogs shot on a phone — adds glow without an orange cast or clipped highlights.
Clean modern cool tone for tech, street, and urban phone footage — neutral-cool balance with crisp but unclipped highlights.
Trendy lifted-shadow matte that works *because* it softens phone footage — gentle film fade, reduced saturation, no harsh edges.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.