The "no-makeup makeup" of color grading: a touch more contrast, smarter saturation, truer skin — without a visible style imposed on the footage.
Ideal for documentary, corporate and talking-head content where the grade should be felt, not seen. Also a solid base layer to stack a creative look on top of.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The calibration baseline — real micro-contrast, foliage pulled off neon, skies given density, highlights recovered from video-white. Obvious on the toggle, invisible in the frame.
The flattering daily driver — gentle warmth and a soft shoulder that stays dense instead of hazy. The "no filter" filter, now with actual weight behind it.
Tonal authority for footage that has to be believed — deeper toe, controlled highlights, muted-but-weighty color. News-doc realism, not a 2% nudge.
The mixed-light face rescue — narrow-width work in oranges, reds and yellows holds skin accurate and flattering while the rest of the frame stays honest.
The overcast fix — adds the contrast flat grey light never gives you and neutralises the blue-grey cast. Corporate and talking heads that look properly lit.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.