Six looks, one for each situation you actually shoot: EMBER for daylight, GOLDEN for the warm hour, MOONLIGHT for night, ARCTIC for cold and clinical, GRIT for documentary, SILK for skin. Every grade shares the same filmic backbone — the same curve, film density so muted color stays heavy instead of going grey, and a dedicated skin protect — and only the color identity changes. Cut between an EMBER day and a MOONLIGHT night and it still feels like one grader finished the film.
Consistency is an underrated growth lever: a recognisable grade makes your thumbnails and reels identifiable before viewers read a single word. Six is the point — enough to cover day, night, warm, cold, doc and skin, few enough that you can actually pick one and commit to it. The v2 remaster re-authored them on the current engine — denser color, controlled highlights, skin that survives every look — as a free in-place upgrade. Tuned to survive Instagram and TikTok compression.
The 6 LUTs plus any album you choose, with its own licence. We suggest Chill, and you can swap it at checkout.
Get the bundleOne-time purchase. No subscription.
The pack downloads at the strength you choose. Test it on a frame of your own footage, pick 50, 70 or 100% (or anything between) and every grade is built at that strength — or set one grade at a time in the LUT Library. The look then works at your strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
When you download the pack, you pick the strength it's built at.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The sample frame is an illustrative still, not footage shot on the camera named above. Load your own frame for a true preview. Image credits
The hero — the one you reach for most. Daylight teal & orange with dense saturated shadows and warm protected skin: a modern take on the trailer look, not a 2015 filter.
The doc look — bleach-silver, heavily desaturated but carried by maximum density so it reads as silver retention rather than grey. Weighty contrast, skin kept warm against the steel.
The night workhorse — steel-blue ambience over dense controlled blacks, skin held warm through a narrow protect. Built for footage that is already dark, not a day-for-night trick.
Golden hour — warm dense shadows and sun that blooms instead of clipping, blues calmed rather than killed. Travel and summer content that still holds believable whites.
Skin first — soft-contrast beauty with a gentle toe lift and pastel warmth that stays exposed and dense instead of washing out. Talking heads, beauty, interviews.
The cold counterweight — clinical blue steel for tech and winter work, with a dedicated skin protect so faces never go corpse-grey.
When you download the pack you test it on a frame of your own footage and pick one strength for every grade; in the LUT Library each preview has its own slider (0–100%). Whatever you set is rendered into the files themselves — regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download again at 100% — each strength gets its own file names, and downloads are unlimited once you own the pack.
All 6 are standard 3D .cube files, so they load in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, Filmora and anything else that reads .cube — including camera apps that take a monitoring LUT.
Yes. Pick your footage type — Standard, Apple Log, D-Log M, S-Log3, V-Log, C-Log3, N-Log, F-Log2, GP-Log or HLG — before you download, and the log-to-Rec.709 conversion is baked into the .cube alongside the look.
Not in this pack — the free grades are the camera conversions, one per camera pack, collected at https://ireelz.com/luts/free. Everything here is a creative look, which is the part the packs sell.
Yes, before you download. Set 50, 70 or 100% in the preview and the .cube is regenerated at that strength, so it holds in CapCut and Filmora, which cannot dial a LUT back. On log footage this also beats an editor's mix slider, which fades toward the flat log image and washes the picture out.
$24 once. It is a one-time purchase, not a subscription, and re-authored versions replace your files in place at no cost. It is also included with a Creator Pro plan.
Graded footage still gets claimed for its soundtrack. Original music with a licence in your name — start with the free tracks.