Neon & Urban LUTs — Night City Color Grades

Built for the hours after sunset: electric blue-purple shifts, punched neon saturation and protected highlights so signs glow instead of clipping.

These grades feed on city lights — street scenes, nightlife, car content and music videos. Daylight footage will look strange; that’s by design.

Get this pack · $19 one-time5 grades · .cube format · included with Creator Pro

Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.

100%

The strength you pick is baked into the .cube you download.

Stays on your device

Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.

Every LUT in this pack

  • Cyberpunk

    STUDIO

    High saturation blue-purple shift with boosted neons — futuristic night aesthetic.

  • Night City

    LITE

    Teal shadows with neon-bright highlights and deep contrast — urban after dark.

  • Tokyo Rain

    PRO

    Wet neon in magenta and cyan — signs doubled in puddles, protected highlight bloom, shadows that stay blue-black instead of muddy.

  • Vapor

    LITE

    Pink-violet dusk — retrowave softness with lifted shadows and pastel neons. The gentle end of the night-city spectrum.

  • Midnight Arcade

    PRO

    Green-cyan glow over deep contrast — CRT light on faces, phosphor accents, blacks that swallow the room around the screen.

How to use these LUTs

  1. Open the LUT Library, preview any grade on your own frame with the before/after slider, and download the .cube file.
  2. Import it into your editor — works in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, Filmora and any other tool that reads 3D .cube LUTs.
  3. Pick the matching footage type before downloading (Standard, Apple Log, D-Log M, S-Log3, V-Log or C-Log3) and the log-to-Rec.709 conversion is baked in for you.
  4. Set the intensity slider before you download — the strength you pick is baked into the file, so 70% in the preview is exactly 70% in your edit.

How intensity works

Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.

Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.

Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.

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