Vintage Film LUTs — Retro Stock & Faded Looks

Film color without the film budget: warm motion-picture stock, punchy slide-film saturation and faded instant-photo nostalgia, each modelled with real cross-channel color contamination — not just an orange tint.

Vintage looks love texture. Add a touch of grain in your editor after the LUT and the emulation gets dramatically more convincing.

Get this pack · $19 one-time5 grades · .cube format · included with Creator Pro

Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.

100%

The strength you pick is baked into the .cube you download.

Stays on your device

Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.

Every LUT in this pack

  • Classic Cine Film

    PRO

    Classic motion-picture film warmth with subtle magenta shadows — timeless celluloid emulation.

  • Vivid Slide Film

    STUDIO

    Vivid greens and punchy blues with boosted saturation — legendary slide film look.

  • Instant Fade

    LITE

    Faded highlights with green-shifted shadows and warm overtones — instant nostalgia.

  • Slide '74

    PRO

    Aged slide film — amber drift in the highlights, cyan creep in the shadows, and the dense mids of a carousel tray from 1974.

  • Home Movie

    LITE

    Faded 8mm warmth — lifted blacks, soft magenta-leaning reds and gentle blur-era color. Instant family-archive nostalgia.

How to use these LUTs

  1. Open the LUT Library, preview any grade on your own frame with the before/after slider, and download the .cube file.
  2. Import it into your editor — works in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, Filmora and any other tool that reads 3D .cube LUTs.
  3. Pick the matching footage type before downloading (Standard, Apple Log, D-Log M, S-Log3, V-Log or C-Log3) and the log-to-Rec.709 conversion is baked in for you.
  4. Set the intensity slider before you download — the strength you pick is baked into the file, so 70% in the preview is exactly 70% in your edit.

How intensity works

Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.

Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.

Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.

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