Film color without the film budget: warm motion-picture stock, punchy slide-film saturation and faded instant-photo nostalgia, each modelled with real cross-channel color contamination — not just an orange tint.
Vintage looks love texture. Add a touch of grain in your editor after the LUT and the emulation gets dramatically more convincing.
The 5 LUTs plus any album you choose, with its own licence. We suggest Chill, and you can swap it at checkout.
Get the bundleOne-time purchase. No subscription.
The pack downloads at the strength you choose. Test it on a frame of your own footage, pick 50, 70 or 100% (or anything between) and every grade is built at that strength — or set one grade at a time in the LUT Library. The look then works at your strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
When you download the pack, you pick the strength it's built at.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The sample frame is an illustrative still, not footage shot on the camera named above. Load your own frame for a true preview. Image credits
Classic motion-picture film warmth with subtle magenta shadows — timeless celluloid emulation.
Vivid greens and punchy blues with boosted saturation — legendary slide film look.
Faded highlights with green-shifted shadows and warm overtones — instant nostalgia.
Aged slide film — amber drift in the highlights, cyan creep in the shadows, and the dense mids of a carousel tray from 1974.
Faded 8mm warmth — lifted blacks, soft magenta-leaning reds and gentle blur-era color. Instant family-archive nostalgia.
When you download the pack you test it on a frame of your own footage and pick one strength for every grade; in the LUT Library each preview has its own slider (0–100%). Whatever you set is rendered into the files themselves — regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download again at 100% — each strength gets its own file names, and downloads are unlimited once you own the pack.
All 5 are standard 3D .cube files, so they load in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, Filmora and anything else that reads .cube — including camera apps that take a monitoring LUT.
Yes. Pick your footage type — Standard, Apple Log, D-Log M, S-Log3, V-Log, C-Log3, N-Log, F-Log2, GP-Log or HLG — before you download, and the log-to-Rec.709 conversion is baked into the .cube alongside the look.
Not in this pack — the free grades are the camera conversions, one per camera pack, collected at https://ireelz.com/luts/free. Everything here is a creative look, which is the part the packs sell.
Yes, before you download. Set 50, 70 or 100% in the preview and the .cube is regenerated at that strength, so it holds in CapCut and Filmora, which cannot dial a LUT back. On log footage this also beats an editor's mix slider, which fades toward the flat log image and washes the picture out.
$19 once. It is a one-time purchase, not a subscription, and re-authored versions replace your files in place at no cost. It is also included with a Creator Pro plan.
Graded footage still gets claimed for its soundtrack. Original music with a licence in your name — start with the free tracks.