Shot D-Log M on a Mini 4 Pro, Air 3 or Osmo Pocket and the footage came back washed out? Every DJI drone and pocket camera with a 10-bit mode records the same D-Log M profile, and these LUTs bake its Rec.709 conversion and a creative grade into a single .cube file — one node or one adjustment layer takes you from flat to finished.
Built and previewed against D-Log M sources, so skin tones and skies land where they should. Drop them on Mini 4 Pro, Air 3 and Avata 2 aerials or Osmo Pocket 3/4, Action and Osmo 360 clips — no separate technical LUT needed. Clean Natural, the honest D-Log M → Rec.709 conversion, is free.
The 8 LUTs plus any album you choose, with its own licence. We suggest Flight Mode, and you can swap it at checkout.
Get the bundleOne-time purchase. No subscription.
The pack downloads at the strength you choose. Test it on a frame of your own footage, pick 50, 70 or 100% (or anything between) and every grade is built at that strength — or set one grade at a time in the LUT Library. The look then works at your strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
When you download the pack, you pick the strength it's built at.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The sample frame is an illustrative still, not footage shot on the camera named above. Load your own frame for a true preview. Image credits
The flagship Pocket 4 look — teal shadows, warm highlights, filmic contrast. Turns flat D-Log M into a polished blockbuster grade in one click.
Golden-hour warmth for travel and street D-Log footage — sun-kissed highlights, clean shadows, flattering skin tones.
Restrained film emulation — lifted blacks, desaturated palette, soft roll-off. The understated documentary look for D-Log M.
Accurate, true-to-life conversion of D-Log M to Rec.709 — correct contrast and color with a gentle lift. The reliable everyday grade.
Vivid, high-energy grade for landscapes and travel reels — punchy greens and blues, crisp contrast, no clipping.
Cool, cinematic and brooding — crushed-but-detailed shadows and a desaturated steel palette for dramatic D-Log footage.
Built for night and city D-Log clips — deep blue shadows, magenta-lifted highlights, and saturated neon that pops without smearing.
Balanced, neutral-warm reportage grade — natural contrast and slightly enhanced color for everyday street and vlog D-Log footage.
When you download the pack you test it on a frame of your own footage and pick one strength for every grade; in the LUT Library each preview has its own slider (0–100%). Whatever you set is rendered into the files themselves — regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download again at 100% — each strength gets its own file names, and downloads are unlimited once you own the pack.
All 8 are standard 3D .cube files, so they load in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, Filmora and anything else that reads .cube — including camera apps that take a monitoring LUT.
No. Each grade in this pack bakes the full D-Log M → Rec.709 conversion into the same .cube as the look, so it is one node in Resolve or one adjustment layer in Premiere — never a conversion LUT stacked underneath a creative one.
DJI Mini 4 Pro · Air 3 · Avata 2 · Osmo Pocket 3 / 4 · Osmo Action. The grades are authored against D-Log M footage from those cameras, so shoot in D-Log M — not HDR or Dolby Vision — for the decode to land correctly.
Yes — Clean Natural is free, and it is the pack's neutral conversion rather than a trimmed-down sample: full strength, same engine, no watermark. The phone, DJI and Insta360 packs each give their conversion away; they are collected at https://ireelz.com/luts/free.
Yes, before you download. Set 50, 70 or 100% in the preview and the .cube is regenerated at that strength, so it holds in CapCut and Filmora, which cannot dial a LUT back. On log footage this also beats an editor's mix slider, which fades toward the flat log image and washes the picture out.
$24 once. It is a one-time purchase, not a subscription, and re-authored versions replace your files in place at no cost. It is also included with a Creator Pro plan.
Yes. Clean Natural is the D-Log M → Rec.709 conversion, free at full strength with no watermark. The Osmo Pocket 4 and Pocket 3 record the same D-Log M profile, so it is one file for both — pick it in the preview above and download the .cube.
Yes — same D-Log M curve, same decode. They also cover the Mini 4 Pro, Air 3 and Avata 2 drones and the Osmo Action 4 and 5 Pro, which all record D-Log M. Full D-Log (Mavic 3 and 4 Pro, Inspire 3) is a different curve and has its own pack.
Graded footage still gets claimed for its soundtrack. Original music with a licence in your name — start with the free tracks.