Shot in D-Log M and your footage looks washed out? These LUTs bake the D-Log M → Rec.709 conversion and a creative grade into a single .cube file, so one node or one adjustment layer takes you from flat to finished.
Built and previewed against D-Log M sources, so skin tones and skies land where they should. Drop them on Osmo Pocket 3/4, Action or Mavic clips — no separate technical LUT needed.
The flagship Pocket 4 look — teal shadows, warm highlights, filmic contrast. Turns flat D-Log M into a polished blockbuster grade in one click.
Golden-hour warmth for travel and street D-Log footage — sun-kissed highlights, clean shadows, flattering skin tones.
Restrained film emulation — lifted blacks, desaturated palette, soft roll-off. The understated documentary look for D-Log M.
Accurate, true-to-life conversion of D-Log M to Rec.709 — correct contrast and color with a gentle lift. The reliable everyday grade.
Vivid, high-energy grade for landscapes and travel reels — punchy greens and blues, crisp contrast, no clipping.
Cool, cinematic and brooding — crushed-but-detailed shadows and a desaturated steel palette for dramatic D-Log footage.
Built for night and city D-Log clips — deep blue shadows, magenta-lifted highlights, and saturated neon that pops without smearing.
Balanced, neutral-warm reportage grade — natural contrast and slightly enhanced color for everyday street and vlog D-Log footage.