Shot in D-Log M and your footage looks washed out? These LUTs bake the D-Log M → Rec.709 conversion and a creative grade into a single .cube file, so one node or one adjustment layer takes you from flat to finished.
Built and previewed against D-Log M sources, so skin tones and skies land where they should. Drop them on Osmo Pocket 3/4, Action or Mavic clips — no separate technical LUT needed.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The flagship Pocket 4 look — teal shadows, warm highlights, filmic contrast. Turns flat D-Log M into a polished blockbuster grade in one click.
Golden-hour warmth for travel and street D-Log footage — sun-kissed highlights, clean shadows, flattering skin tones.
Restrained film emulation — lifted blacks, desaturated palette, soft roll-off. The understated documentary look for D-Log M.
Accurate, true-to-life conversion of D-Log M to Rec.709 — correct contrast and color with a gentle lift. The reliable everyday grade.
Vivid, high-energy grade for landscapes and travel reels — punchy greens and blues, crisp contrast, no clipping.
Cool, cinematic and brooding — crushed-but-detailed shadows and a desaturated steel palette for dramatic D-Log footage.
Built for night and city D-Log clips — deep blue shadows, magenta-lifted highlights, and saturated neon that pops without smearing.
Balanced, neutral-warm reportage grade — natural contrast and slightly enhanced color for everyday street and vlog D-Log footage.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.