How to grade phone and pocket-camera footage: Log profiles, which LUT to use on which clip, and color that still looks right after Instagram and TikTok compress it.
The ZV-E10 II is the Sony most new creators should start with; the ZV-E1 is the step up. Here is how to choose, the one menu decision that shapes every clip — S-Cinetone or S-Log3 — the settings to use for each, and how to grade S-Log3 in about three minutes.
The iPhone 18 Pro went on sale on 18 September with Apple Log 2, ProRes RAW, genlock and 4K/120 Dolby Vision. Here is what each one means for someone who posts, the one setting that decides which LUT you need, and the solo-creator workflow that pairs it with iReelz.
Apple Log and Apple Log 2 share a curve and a name, and no editor tells you which one a clip is. They do not share a gamut, and a LUT carries both. What is the same, what changed, how to tell your clips apart, and what we measured when the wrong LUT goes on Log 2 footage.
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