The phone, DJI and Insta360 packs each give away their conversion grade. Nine free .cube files that take flat log footage to an honest Rec.709 image, with the decode baked in — no separate technical LUT, no watermark, no trial.
iPhone 17 or 18 Pro set to Apple Log, not Log 2? Pick 15 · 16 Pro.
Free with an account — no card.
Loads in CapCut desktop, Resolve, Premiere and Final Cut. On a phone, use an editor that imports .cube LUTs, such as VN — CapCut’s app doesn’t.
These are the correct-it-first grades: the neutral conversion each pack is built on top of. Drop one on a single node in Resolve or one adjustment layer in Premiere and your footage looks the way it should have out of camera. The creative looks are what the packs are for — the conversion is on us.
Not sure what a LUT actually is, or why your footage came back grey? We wrote the honest version — including where the format falls down.
iPhone 15 Pro · 16 Pro · 17 / 18 Pro on Log · Apple Log
The trust-builder — a clean, correct Apple Log conversion with film density and honest skin. Noticeably richer than Apple's own LUT without tipping into a style.
From iPhone Apple Log →iPhone 17 Pro · 18 Pro on Log 2 · Apple Log 2
The trust-builder — a clean, correct Apple Log 2 conversion with film density and honest skin. Noticeably richer than Apple's own LUT without tipping into a style.
From iPhone Apple Log 2 →DJI Mini 4 Pro · Air 3 · Avata 2 · Osmo Pocket 3 / 4 · Osmo Action · D-Log M
Accurate, true-to-life conversion of D-Log M to Rec.709 — correct contrast and color with a gentle lift. The reliable everyday grade.
From DJI D-Log M →DJI Mavic 3 / 4 Pro · Inspire 3 · Ronin 4D · D-Log
The accurate decode — D-Log to Rec.709 with correct contrast and colour and nothing else added. What the sensor saw. Start here, and grade on top of it if you want a look.
From DJI D-Log Conversion Kit →Insta360 X6 · I-Log X6
The neutral X6 conversion — flat I-Log to an honest Rec.709 image with the hardest highlight rolloff in the pack, so a full-sphere sky keeps its detail. Correct first, style later. Start here.
From Insta360 X6 →Insta360 Luna · I-Log Luna
The clean do-everything Luna conversion — flat I-Log to a neutral filmic image with honest skin tones, gentle contrast and soft highlight rolloff. Start here.
From Insta360 I-Log →Insta360 Ace Pro 2 · I-Log Ace Pro 2
The clean do-everything Luna conversion — flat I-Log to a neutral filmic image with honest skin tones, gentle contrast and soft highlight rolloff. Start here.
From Insta360 I-Log →Insta360 X5 · I-Log X5
The clean do-everything Luna conversion — flat I-Log to a neutral filmic image with honest skin tones, gentle contrast and soft highlight rolloff. Start here.
From Insta360 I-Log →iPhone & Android · stock camera app · Rec.709
Undoes the over-processed phone look: tames harsh contrast, recovers blown highlights, and eases oversaturation back to natural. The "make it look right again" baseline.
From Phone & Standard →A log profile is not a look — it's a storage format. Your camera recorded a flat, grey image on purpose, to keep the highlights and shadows a finished picture would throw away, and something has to decode it before the footage looks like anything. That decode is engineering, not art, and charging for it would be charging you to undo your own camera.
So the phone, DJI and Insta360 packs give their conversion away. What those packs sell is the part that took judgement: the density, the rolloff, the color identity — the looks built on top of a conversion you already have. The Sony, Fujifilm, GoPro, Canon and Samsung kits are a different product — six to eight conversions each, every one a different finish, sold as a kit — and are not on this shelf.
Free, permanently, and they are the full files — same engine, full strength, no watermark and no expiry. They are the neutral conversions each camera pack is built on, not cut-down samples. You do need a free account to download, and you can take all 9 in one zip as the Free Starter pack.
iPhone 15 Pro · 16 Pro · 17 / 18 Pro on Log; iPhone 17 Pro · 18 Pro on Log 2; DJI Mini 4 Pro · Air 3 · Avata 2 · Osmo Pocket 3 / 4 · Osmo Action; DJI Mavic 3 / 4 Pro · Inspire 3 · Ronin 4D; Insta360 X6; Insta360 Luna; Insta360 Ace Pro 2; Insta360 X5; iPhone & Android · stock camera app.
No. Each of these bakes the full log-to-Rec.709 conversion into the same .cube, so it is one node in Resolve or one adjustment layer in Premiere — there is no technical LUT to stack underneath.
Not on this shelf. Those profiles are covered by conversion kits — six to eight conversions each, every one a different finish, sold as a kit rather than one free neutral plus looks. Any look pack on the site can also bake an S-Log3, F-Log2, GP-Log, C-Log3 or Samsung Log conversion into its .cube: pick the footage type before you download.
A log profile is a storage format, not a look: your camera recorded a flat image on purpose and something has to decode it. That decode is engineering, not art. The packs sell the looks built on top of it — the density, the rolloff, the colour identity.
Standard 3D .cube files, so DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut desktop, Filmora and anything else that reads .cube, including camera apps that accept a monitoring LUT. On a phone, CapCut’s app does not import .cube files at the time of writing — use a mobile editor that does, such as VN.
Graded footage still gets claimed for its soundtrack. Original music with a licence in your name — start with the free tracks.