Loop · 12s · 30fps

Open with type

Opening Credits

Four cards on the beat. The production line, the title, the camera credit and the director, at cinema type scale over the footage dip, each card holding a fixed number of beats at your track’s tempo so the cards change on the downbeat. The dots along the bottom are the beat grid the cuts sit on.

16:9 WIDESCREEN/12s · 30FPS/TRANSPARENT EXPORT/READS ON ANY FOOTAGE

In Lite & Creator Pro · or $3.99 to own
What you can change9 fields
Production nameYour @handle lands here from the brand kit
TitleYour text
Subtitle (empty to hide)Your text
Shot on (empty to skip the card)Your text
Second camera (empty to hide)Your text
Directed by (empty to skip the card)Your text
Beats per cardFour beats is one bar of 4/4 — a card per bar
Tempo (bpm)The track’s tempo, 80–200. Every cut lands on a beat at this rate
Dip the footageThe shot dips under the cards, same as the openers
Also on this shelfType-led · Candid · Film · Vanity · Listing · works on any footage · 12

What it's for

Four cards on the beat. The production line, the title, the camera credit and the director, at cinema type scale over the footage dip, each card holding a fixed number of beats at your track’s tempo so the cards change on the downbeat. The dots along the bottom are the beat grid the cuts sit on.

Reach for it when

  • The opening minute of a travel film or a documentary cut, over a drone push or a slow establishing pan
  • A showreel or a channel trailer, where “shot on” and “directed by” are the point
  • A series opener that wants the same credits every episode, timed to the same theme

How it plays

Real credits are set in wide-tracked caps at a light weight, and the tracking settles a touch as each card lands — the same gesture as the family’s titles, slower. Type the track’s bpm and choose how many beats a card holds; the cards then change on the beat, and the dots let you see the lock in the Studio before you hear it in the edit. The last card holds until you cut: opening credits end on the director, and a card that faded to nothing would leave the dip on an empty frame.

Not the right pick when

A single title with nothing to credit — four cards of one line each is a slow way to say one thing. Use the Letterbox Reveal or Title Settle.

The FILM family

FILM is the paperwork of a shoot as motion — the slate, the leader, the slug line, the credits, the grain. It is built for creators who shoot like filmmakers, and it is the one family where the typeface is the design rather than a slot: Bodoni for the credits, Bebas for the slate and the leader, Courier for the page. Nothing in it glows, leaks or flares; everything is colour with alpha, so what you see in the Studio is what lands on your timeline.

Format and export

Aspect
Landscape (16:9) · 1920 × 1080
Runs for
12 seconds
Built for
Any footage — it carries its own contrast
Publishes to
YouTube, Vimeo, embedded video
Exports as
ProRes 4444, PNG sequence, MP4
Background
Transparent
Price
In Lite & Creator Pro · or $3.99 to own

Edit it in the iReelz Studio — the transparent exports drop straight onto a timeline in Premiere Pro, CapCut, Final Cut Pro or DaVinci Resolve.

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