Run under the whole clip
Grain & Vignette — Vertical
The persistent stock in 9:16, unlocked with the widescreen one. The same grain, vignette, cast and gate hair, sized for Reels, TikTok and Shorts and running under the whole clip.
9:16 VERTICAL/6s · 30FPS/TRANSPARENT EXPORT/READS ON ANY FOOTAGE
What it's for
The persistent stock in 9:16, unlocked with the widescreen one. The same grain, vignette, cast and gate hair, sized for Reels, TikTok and Shorts and running under the whole clip.
Reach for it when
- Vertical cuts from a graded travel film, so the phone edit shares the film’s stock
- A run of Shorts that should read as one series
- Clean phone footage posted vertical that wants a print-stock finish
How it plays
Same purchase, same manifest, the vignette centred for the taller frame so it holds the subject rather than the corners. Nothing in it has an edge that could be cropped by a platform’s safe zone.
Not the right pick when
Footage that is already grainy — a second layer reads as noise. Use the vignette alone.
The FILM family
FILM is the paperwork of a shoot as motion — the slate, the leader, the slug line, the credits, the grain. It is built for creators who shoot like filmmakers, and it is the one family where the typeface is the design rather than a slot: Bodoni for the credits, Bebas for the slate and the leader, Courier for the page. Nothing in it glows, leaks or flares; everything is colour with alpha, so what you see in the Studio is what lands on your timeline.
Format and export
- Aspect
- Vertical (9:16) · 1080 × 1920
- Runs for
- 6 seconds
- Built for
- Any footage — it carries its own contrast
- Publishes to
- Reels, TikTok, YouTube Shorts
- Exports as
- ProRes 4444, PNG sequence, MP4
- Background
- Transparent
- Price
- In Lite & Creator Pro · or $3.99 to own
Edit it in the iReelz Studio — the transparent exports drop straight onto a timeline in Premiere Pro, CapCut, Final Cut Pro or DaVinci Resolve.