Shot I-Log on the X6 and it looks grey and lifeless? These seven LUTs bake the I-Log → Rec.709 conversion and a finished grade into a single .cube file, so one node or one adjustment layer takes you from flat to graded.
Tuned for what a 360 camera actually does. The sky is in every frame, so highlight rolloff is the first job in every look; footage gets reframed and cropped in post, so shadows stay clean rather than lifted into noise. Shoot I-Log in SDR — not HDR or Dolby Vision — for these to decode correctly.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The neutral X6 conversion — flat I-Log to an honest Rec.709 image with the hardest highlight rolloff in the pack, so a full-sphere sky keeps its detail. Correct first, style later. Start here.
POV and mounted action — punchy contrast and clean saturation that hold up through motion blur and heavy reframing. Built so a helmet or chest-mount clip reads instantly at speed.
Snow and alpine. Neutralises the blue cast that 360 optics pick up in snow shadow and rolls the highlights hard so a sunlit slope keeps texture instead of going to paper white.
Surf, dive and boat footage. Separates sea from sky so water reads blue-green instead of collapsing into one teal mass, and warms skin back up against all that blue.
Golden-hour travel. Amber highlights and warm, open shadows for the hour either side of sunset — tuned so the sun sitting inside the sphere blooms instead of clipping to a white hole.
Night and low light, built for the X6’s bigger sensors. Deep clean shadows and protected neon, with the shadow lift deliberately restrained — a 360 reframe crops in, and lifted noise is the fastest way to make 8K look like 1080p.
The social finish. Contrast and saturation pushed to survive Instagram and TikTok re-encoding, with the midtones weighted for a vertical reframe where the subject fills the frame.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.