Nature footage fails in two predictable ways: foliage renders as neon digital green, and skies or snow clip to white. Every look in this pack is engineered around both — greens rotated toward emerald and tamed, highlights rolled off so snowfields, skies and sun glare keep their detail.
Five terrains, five moods: SUMMIT for alpine, EVERGREEN for forest, MIST for fog and overcast, DUSKFIELD for golden hour over land, COASTLINE for sea and sky. Works with any footage type — pick Standard, Apple Log, DJI D-Log or D-Log M, Sony S-Log3, Panasonic V-Log, Canon C-Log3, Nikon N-Log, Fujifilm F-Log2, GoPro GP-Log or HLG before downloading and the conversion is baked in.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
Crisp alpine grade — neutral snow whites, deep natural sky blues, cool desaturated shadows. Highlights hard-protected so snowfields and glaciers hold detail.
Deep forest look — foliage greens pulled toward rich emerald and darkened for woodland density, with warm light through the canopy. Fixes the neon-green digital foliage problem.
Overcast and fog atmosphere — lifted matte blacks, soft low contrast, muted cool neutrals. The Scandinavian hiking look that makes grey-weather footage feel intentional.
Golden-hour terrain — amber highlights against cool shadow separation for depth, enriched earth tones, skies that keep their blue. Built for sunsets over land, not faces.
Sea and sky — water pulled toward clean teal, warm sand, bright airy contrast. The travel-reel beach look with highlights that never clip on glare.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.