Shot Apple Log and your footage looks flat and grey? These eleven LUTs bake the full Apple Log → Rec.709 conversion — transfer curve and Rec.2020 gamut, not just the curve — plus a finished cinematic grade into a single .cube file. One node or one adjustment layer from flat to graded.
Authored for what an iPhone actually shoots: blacks go dense rather than lifted (lifted shadows surface iPhone noise), skin stays protected at high saturation, and highlights roll off instead of clipping. From the honest True iPhone conversion through the Blockbuster teal-and-orange hero look, a night-ready Neon City, the hazy Haze diffusion look, Cine Print film emulation and the Silver bleach bypass. True iPhone is free.
Every LUT downloads at the strength you choose — set 50, 70 or 100% in the LUT Library preview and it's baked into the .cube. That means the look works at your chosen strength even in camera apps and editors with no LUT-intensity control, and pulling it back never washes out the log conversion the way an editor's mix slider does.
The strength you pick is baked into the .cube you download.
Every look renders with the same engine as the .cube download. Free looks download instantly — PRO and STUDIO looks unlock with the pack or a plan.
The trust-builder — a clean, correct Apple Log conversion with film density and honest skin. Noticeably richer than Apple's own LUT without tipping into a style.
The money look — deep teal shadows, warm protected skin, bold filmic contrast with dense saturated darks. Narrow hue targeting keeps faces natural while the world goes cinematic.
Golden-hour travel and lifestyle — amber highlights, dense warm shadows, sun that blooms instead of clipping. Skin glows without going orange.
Night and neon — dense noise-free blacks, saturated protected signs, cool blue undertone. Built for what iPhones actually shoot after dark.
The muted street look — desaturated but dense, weighty contrast, a gold-and-steel palette. Understated is the hardest look to fake; the density stage is what makes it read as graded, not grey.
The social finisher — contrast and chroma tuned to survive Instagram and TikTok re-encoding, midtones weighted for vertical crops where the subject fills the frame.
The hazy film look — milky lifted blacks, creamy rolled highlights, soft contrast with a faint warm veil. A LUT shifts tone, not pixels: pair with a touch of your editor's glow for true diffusion bloom.
Motion-picture negative emulation — warm mids, real cross-channel color contamination, green-leaning shadows and dense print color. The "shot on film" look for Apple Log.
Bleach bypass — heavy desaturation under high contrast with maximum density, the silver-retention thriller look. Skin keeps a trace of warmth against the steel.
The green-leaning cinema grade — green-tinted shadows under sodium-warm highlights, moody and precise, with skin kept clean out of the green. The one hue territory the rest of the pack leaves alone.
Soft pastel daylight — airy low contrast that stays dense instead of washed out, creamy protected skin, muted skies. The lifestyle look, built on the film-density stage.
Every preview has an intensity slider (0–100%). Whatever you set is rendered into the .cube itself — the file is regenerated at that strength, named accordingly (e.g. _70pct.cube), and looks identical in your editor to what you saw in the preview.
Why bake it in instead of using your editor's LUT-mix slider? Two reasons. Many tools have no per-LUT strength control at all — DaVinci Resolve hides it behind node key gain, and camera apps that load monitoring LUTs have none. And on log footage an editor's mix slider blends back toward the flat, grey log image, washing out the picture; our blend keeps the full log-to-Rec.709 conversion and fades only the creative grade on top of it.
Want the full-strength version too? Download at 100% as well — each strength is its own .cube file, and downloads are unlimited once a look is unlocked.