LUT Library 175 grades · 26 packs · 19 log profilesProfessional colour grades, authored per-camera — not auto-converted. Every grade is built on the current iReelz engine and ships as an industry-standard 33³ .cube — 65³ with a log decode baked in: one node in your editor, not a conversion LUT and then a look. Works in DaVinci Resolve, Premiere Pro, Final Cut, CapCut and Filmora. 7 free LUTs, one per camera →
33³ / 65³ .cube — industry standard Log decode baked in — one node Authored per-camera Works in every major editor
New packs Latest releases · click one to load it below
DJI D-Log 2 8 luts / $24 Sony S-Log3 Looks 8 luts / $24 iPhone Apple Log 2 11 luts / $24 Skin Tones 5 luts / $24 GoPro GP-Log Conversion Kit 8 luts / $24 Samsung Log Conversion Kit 6 luts / $24
All 175 colour grades Click any grade to open it All Free · 7 iPhone Apple Log iPhone Apple Log 2 (17 / 18 Pro) DJI D-Log M (Mini · Air · Pocket · Action) DJI D-Log (Mavic / Inspire) DJI D-Log 2 (Osmo Pocket 4P) Sony S-Log3 (A7 / FX) Sony S-Log3 Looks (ZV-E1 · ZV-E10 II · FX) Canon C-Log3 (R / C series) Fujifilm F-Log2 (X / GFX) GoPro GP-Log (HERO / MAX) Samsung Log (Galaxy) Insta360 X6 (I-Log) Insta360 I-Log (Luna) Phone & Standard Landscape & Nature The Core Set Hollywood Deep Desert Cinematic Warm & Golden Moody & Dark Clean & Bright Vintage / Film Neon / Urban Natural Skin Tones All 26 packs → 175 of 175
True iPhone FREE The trust-builder — a clean, correct Apple Log conversion with film density and honest skin. Noticeably richer than Apple's own LUT without tipping into a style.
Blockbuster STUDIO The money look — deep teal shadows, warm protected skin, bold filmic contrast with dense saturated darks. Narrow hue targeting keeps faces natural while the world goes cinematic.
Golden PRO Golden-hour travel and lifestyle — amber highlights, dense warm shadows, sun that blooms instead of clipping. Skin glows without going orange.
Neon City STUDIO Night and neon — dense noise-free blacks, saturated protected signs, cool blue undertone. Built for what iPhones actually shoot after dark.
Concrete PRO The muted street look — desaturated but dense, weighty contrast, a gold-and-steel palette. Understated is the hardest look to fake; the density stage is what makes it read as graded, not grey.
Feed PRO The social finisher — contrast and chroma tuned to survive Instagram and TikTok re-encoding, midtones weighted for vertical crops where the subject fills the frame.
Haze PRO The hazy film look — milky lifted blacks, creamy rolled highlights, soft contrast with a faint warm veil. A LUT shifts tone, not pixels: pair with a touch of your editor's glow for true diffusion bloom.
Cine Print STUDIO Motion-picture negative emulation — warm mids, real cross-channel color contamination, green-leaning shadows and dense print color. The "shot on film" look for Apple Log.
Silver STUDIO Bleach bypass — heavy desaturation under high contrast with maximum density, the silver-retention thriller look. Skin keeps a trace of warmth against the steel.
Sage PRO The green-leaning cinema grade — green-tinted shadows under sodium-warm highlights, moody and precise, with skin kept clean out of the green. The one hue territory the rest of the pack leaves alone.
Ivory PRO Soft pastel daylight — airy low contrast that stays dense instead of washed out, creamy protected skin, muted skies. The lifestyle look, built on the film-density stage.
Pocket Cinematic STUDIO The flagship Pocket 4 look — teal shadows, warm highlights, filmic contrast. Turns flat D-Log M into a polished blockbuster grade in one click.
Dusk Warmth PRO Golden-hour warmth for travel and street D-Log footage — sun-kissed highlights, clean shadows, flattering skin tones.
Muted Filmic PRO Restrained film emulation — lifted blacks, desaturated palette, soft roll-off. The understated documentary look for D-Log M.
Clean Natural FREE Accurate, true-to-life conversion of D-Log M to Rec.709 — correct contrast and color with a gentle lift. The reliable everyday grade.
Travel Punch PRO Vivid, high-energy grade for landscapes and travel reels — punchy greens and blues, crisp contrast, no clipping.
Moody Overcast STUDIO Cool, cinematic and brooding — crushed-but-detailed shadows and a desaturated steel palette for dramatic D-Log footage.
Neon Nights STUDIO Built for night and city D-Log clips — deep blue shadows, magenta-lifted highlights, and saturated neon that pops without smearing.
Street Documentary PRO Balanced, neutral-warm reportage grade — natural contrast and slightly enhanced color for everyday street and vlog D-Log footage.
4P Cinematic STUDIO The flagship Pocket 4P look — teal shadows, warm skin, dense filmic contrast and a long highlight roll. Flat D-Log 2 to a finished blockbuster grade in one node.
True Tone PRO Natural, polished D-Log 2 — accurate colour with a touch of contrast and vibrance, skin kept true. The everyday grade for vlogs, and a clean base to build on.
Chrome 64 PRO Saturated slide film — deep reds and warm yellows, solid blacks, skies pushed toward cyan. Classic transparency colour for street, food and travel.
Tele Portrait PRO Built for the 3× camera — soft contrast, skin brightened and evened out, background greens and blues calmed so the subject leads. Flattering without the plastic.
Tungsten 800 PRO Night film — cool cyan shadows, amber streetlight, warm red-leaning highlights and quiet shadow colour so low-light noise reads as grain. For night streets, rain and bars.
Sun Fade PRO Sun-bleached nostalgia — matte blacks, creamy warm highlights, olive greens and pastel skies. The soft summer-memory look for holiday recaps and day-in-the-life reels.
Graphite PRO Dark, quiet and heavy — a cool slate palette, dense detailed blacks and colour pulled right back, with skin held so faces never go lifeless. For overcast cities, winter and tense, dramatic scenes.
Downpour PRO Cold, wet, cinematic rain — a blue-green cast and teal shadows, colour muted everywhere except red and amber lights, which burn against the wet ground. For rainy streets, umbrellas and reflections, day or dusk.
Neutral FREE The accurate decode — D-Log to Rec.709 with correct contrast and colour and nothing else added. What the sensor saw. Start here, and grade on top of it if you want a look.
Contrast PRO Ready to post — the neutral decode with the contrast and density a finished shot needs, so there is no second node. For footage that is correctly exposed and going straight out.
Sky Safe PRO Highlight priority — a hard shoulder and desaturated highlights so bright cloud and sky hold detail instead of clipping to a white hole. The one to reach for on any shot with the horizon in it.
Shadow Safe PRO A lifted toe that keeps low-light noise out of the mud — for dusk, dawn and anything shot near the sensor floor. Shadow chroma pulled back so noise reads as grain rather than colour blotches.
Golden Hour PRO Warm white-balance correction for the hour either side of sunrise and sunset, when auto WB on a drone pulls the warmth straight back out. Amber held in the highlights, blues calmed rather than killed.
Recover −1 Stop PRO For the shot you flew a stop under. Lifts roughly a stop back with a strong shoulder so the recovered highlights roll instead of clipping, and shadow chroma held down so the lift does not surface noise.
Neutral PRO The accurate decode — S-Log3 and S-Gamut3.Cine to Rec.709 with correct contrast and colour and nothing else added. What the sensor saw. Grade on top of it if you want a look.
Contrast PRO Ready to post — the neutral decode with the contrast and density a finished shot needs, so there is no second node. For correctly exposed footage going straight out.
Skin Priority PRO The one for faces. S-Log3 skin drifts magenta and goes waxy when the whole frame is pushed at once — this holds the orange band narrow and warm and lets the rest of the picture fall where it may.
Highlight Safe PRO A hard shoulder with desaturated highlights, for windows, skies and practicals that would otherwise clip to a white hole. The interior-and-window grade.
Low Light PRO For the high base ISO. A lifted toe so shadow noise stays grain instead of turning to mud, with shadow chroma pulled back so it reads as texture rather than colour blotches.
Pull Back +2 PRO Finishes the way S-Log3 is meant to be shot. Everyone exposes it one to two stops over to keep the shadows clean — this brings that back down with a strong shoulder, so the recovered highlights roll instead of flattening.
Full Frame Cinematic STUDIO The headline cinematic grade for Sony S-Log3 — teal shadows, warm skin, dense filmic contrast and a soft highlight roll that suits full-frame depth of field.
Studio Tone STUDIO S-Log3 with the soft, cinematic finish of Sony’s S-Cinetone — gentle mid contrast, a long highlight roll, calm greens and blues, and warm, natural skin. Shoot log for the range, keep the Sony look.
Skin First PRO For talking heads — skin brightened and evened out across every tone, blotchy reds calmed, background greens and blues pulled back so the face leads. Soft, flattering, never plastic.
Ink PRO High-contrast black and white — a red-filter mix that darkens blue sky and lifts skin, deep blacks and bright, clean highlights. For street, architecture and hard light.
Neutral PRO The accurate decode — C-Log3 and Cinema Gamut to Rec.709, correct contrast and colour, nothing else added. Canon colour as the sensor recorded it. Grade on top if you want a look.
Contrast PRO Ready to post — the neutral decode with the contrast and density a finished shot needs, so there is no second node. For correctly exposed footage going straight out.
Skin Priority PRO The one for faces. Pushed C-Log3 skin drifts yellow-orange rather than magenta — this steers the orange band back toward red, calms the yellows behind it, and leaves the rest of the frame alone.
Highlight Safe PRO A hard shoulder with desaturated highlights, for windows, skies and practicals that would otherwise clip to a white hole. The interior-and-window grade.
Low Light PRO For the second base gain and beyond. A lifted toe so shadow noise stays grain instead of turning to mud, with shadow chroma pulled back so it reads as texture rather than colour blotches.
Golden PRO Late light, kept honest. Warmth in the highlights and skin, blues eased back so the sky does not fight it, a touch of density in the mids — the look Canon colour is bought for, without pushing it into orange.
Cine Print PRO A print-stock finish on the Canon decode: dense mids, cool shadows against warm highlights, greens pulled toward olive, saturation held back where a print holds it back. For narrative and anything meant to feel projected.
Street Doc PRO The documentary grade: a hair cool, punchy mids, restrained saturation with reds kept alive, shadows that stay readable. For run-and-gun interviews and city work where the light was not yours to choose.
Neutral PRO The accurate decode — F-Log2 and F-Gamut to Rec.709, correct contrast and colour, nothing else added. What the X-Trans sensor recorded before any simulation. Grade on top if you want a look.
Contrast PRO Ready to post — the neutral decode with the contrast and density a finished shot needs, so there is no second node. For correctly exposed footage going straight out.
Skin Priority PRO The one for faces. Decoded F-Log2 skin lands a touch dark and runs ruddy — this lifts the mids where skin lives and steers the reds toward orange, holding the band narrow so the rest of the frame is not pushed with it.
Highlight Safe PRO A firm shoulder with desaturated highlights, for windows, skies and practicals that would otherwise clip to a white hole. F-Log2 holds more highlight than F-Log, and this is the grade that shows it.
Low Light PRO For the second base gain and beyond. A lifted toe so shadow noise stays grain instead of turning to mud, with shadow chroma pulled back so it reads as texture rather than colour blotches.
Chrome PRO The documentary-magazine finish: saturation pulled well back, blues turned toward teal and dimmed, greens muted, reds left standing, a little lift in the shadows. The look people switch away from log to keep — here it is on top of the correct decode.
Nostalgia PRO Amber in the highlights, cyan in the shadows, soft contrast and dense, unhurried colour — the seventies-print finish. Warm without going orange, because the decode underneath is honest.
Negative PRO The faithful colour-negative finish: true primaries, fine contrast, a hint of density, shadows a shade cool. For when the scene had the colour and the job is not to get in its way.
Neutral PRO The accurate decode — GP-Log to Rec.709 through GoPro’s own technical conversion, correct contrast and colour, nothing else added. What the HERO sensor recorded before GoPro’s own colour got to it. Grade on top if you want a look.
Contrast PRO Ready to post — the neutral decode with the contrast and density a finished clip needs, so there is no second node. For correctly exposed daylight footage going straight to the feed.
Skin Priority PRO The one for faces at arm’s length. GoPro skin decodes ruddy and a touch oversaturated under a wide lens in full sun — this pulls the reds back toward orange, lifts the mids where a face sits, and leaves the scenery alone.
Highlight Safe PRO The grade most GoPro clips want. A firm shoulder with desaturated highlights for sky, snow glare and sun on water — the frame that would clip to a white hole holds its cloud and its texture instead.
Low Light PRO For dusk, indoors and anything past ISO 400, where a small sensor starts to show its grain. A lifted toe so shadow noise stays texture instead of turning to mud, with shadow chroma pulled back so it reads as grain rather than colour blotches.
Open Water PRO Surf, snorkel, boat. Water absorbs red first, so underwater and sea-level footage decodes cyan-green and flat — this puts the red back, turns the cyans toward true blue and deepens them, and keeps the whites of the spray clean.
Trailhead PRO Dirt, forest and golden light — the hike, the ride, the campsite. Greens turned toward olive so foliage stops looking electric, warmth in the highlights, density in the mids, and the sky left blue rather than teal.
Snowline PRO Ski, board and anything above the treeline: bright, cold and high-key. Whites held clean and just off clipping, mids lifted so faces do not go dark against the snow, blues kept crisp, and a shoulder that saves the glare.
Neutral PRO The accurate decode — Samsung Log and BT.2020 to Rec.709, correct contrast and colour, nothing else added. What the Galaxy sensor recorded before the phone’s own processing. Grade on top if you want a look.
Contrast PRO Ready to post — the neutral decode with the contrast and density a finished clip needs, so there is no second node. For correctly exposed daylight footage going straight to the feed.
Skin Priority PRO The one for faces. Galaxy skin decodes pink under a curve-only conversion — this steers the reds toward orange, calms the magentas behind them, and lifts the mids where a face sits, holding the band narrow so the rest of the frame is not pushed with it.
Highlight Safe PRO The firmest shoulder in any kit, because a phone clips early: windows, skies and sun on water hold their texture instead of turning to a white hole. Highlights desaturated so what is saved does not go yellow.
Low Light PRO For dusk, indoors and the night the phone gets pointed at. A lifted toe so shadow noise stays grain instead of mud, shadow chroma pulled back so it reads as texture rather than colour blotches, and nothing that sharpens what the phone already sharpened.
Street PRO The city finish: saturation pulled back, cool shadows against warm practicals, greens muted, reds left standing, a little density in the mids. Documentary rather than filtered — the look for the walk home, on top of the correct decode.
First Light FREE The clean do-everything Luna conversion — flat I-Log to a neutral filmic image with honest skin tones, gentle contrast and soft highlight rolloff. Start here.
Night Pulse PRO Built for the Luna's 1-inch low-light reach — deep clean shadows, glowing protected neons and cool blue undertones for night city and after-dark footage.
Golden Coast LITE Golden-hour warmth for Luna travel footage — amber highlights, sun-kissed skin and clean warm shadows that hold up long after sunset.
Wanderlust LITE Punchy travel color for Luna clips headed straight to the feed — vivid skies, rich greens, lifted energy without crossing into oversaturated.
Urban Slate PRO Moody desaturated city grade — slate shadows, restrained color and weighty contrast for street, architecture and overcast Luna footage.
Rangefinder PRO Classic reportage rendering — neutral-cool clarity, true-to-life color and crisp micro-contrast that flatters the Luna's clean optics.
Gimbal Cinema STUDIO The flagship Luna look — teal shadows, warm highlights and filmic contrast. Turns flat I-Log into a polished blockbuster grade in one click.
Midnight Chrome STUDIO High-contrast night noir with hard-protected highlights — made for the Luna's 4K/120 and 240fps slow-mo, where light sources streak and bloom.
True North FREE The neutral X6 conversion — flat I-Log to an honest Rec.709 image with the hardest highlight rolloff in the pack, so a full-sphere sky keeps its detail. Correct first, style later. Start here.
Slipstream PRO POV and mounted action — punchy contrast and clean saturation that hold up through motion blur and heavy reframing. Built so a helmet or chest-mount clip reads instantly at speed.
Whiteout PRO Snow and alpine. Neutralises the blue cast that 360 optics pick up in snow shadow and rolls the highlights hard so a sunlit slope keeps texture instead of going to paper white.
Bluewater PRO Surf, dive and boat footage. Separates sea from sky so water reads blue-green instead of collapsing into one teal mass, and warms skin back up against all that blue.
Longitude PRO Golden-hour travel. Amber highlights and warm, open shadows for the hour either side of sunset — tuned so the sun sitting inside the sphere blooms instead of clipping to a white hole.
After Dark PRO Night and low light, built for the X6’s bigger sensors. Deep clean shadows and protected neon, with the shadow lift deliberately restrained — a 360 reframe crops in, and lifted noise is the fastest way to make 8K look like 1080p.
Feedproof PRO The social finish. Contrast and saturation pushed to survive Instagram and TikTok re-encoding, with the midtones weighted for a vertical reframe where the subject fills the frame.
Phone Fix — Neutral FREE Undoes the over-processed phone look: tames harsh contrast, recovers blown highlights, and eases oversaturation back to natural. The "make it look right again" baseline.
Daylight Clean LITE For outdoor and daylight phone clips — neutral white balance, soft highlight recovery for skies and snow, and gentle vibrance that lifts landscapes without going neon.
Soft Cinematic LITE A dialed-back film look that survives 8-bit footage — faint teal shadows, gently warm highlights, and modest contrast. Cinematic vibe without the clipping.
Warm Natural LITE Gentle golden warmth that flatters skin and vlogs shot on a phone — adds glow without an orange cast or clipped highlights.
Cool Crisp LITE Clean modern cool tone for tech, street, and urban phone footage — neutral-cool balance with crisp but unclipped highlights.
Faded Matte PRO Trendy lifted-shadow matte that works *because* it softens phone footage — gentle film fade, reduced saturation, no harsh edges.
Hollywood Blue LITE Cool teal shadows with warm highlights and gentle desaturation — classic blockbuster look.
Film Noir PRO Deep crushed blacks, high contrast, and cool undertones for dramatic storytelling.
Golden Hour LITE Natural sun-kissed warmth with clean shadows and golden highlights — flatters skin tones beautifully.
Sunset Glow LITE Rich warm highlights with cool shadow separation — dramatic sunset depth for travel and lifestyle.
Teal & Orange LITE The iconic complementary split — teal shadows with orange midtones for cinematic punch.
Dark Mood STUDIO Crushed blacks with heavy desaturation and a cold blue shift — brooding and intense.
Fresh & Clean LITE Lifted blacks with a slight saturation boost — modern vlog-ready clarity.
Airy Light LITE Very lifted shadows with gentle warmth and low contrast — dreamy and ethereal.
Classic Cine Film PRO Classic motion-picture film warmth with subtle magenta shadows — timeless celluloid emulation.
Vivid Slide Film STUDIO Vivid greens and punchy blues with boosted saturation — legendary slide film look.
Instant Fade LITE Faded highlights with green-shifted shadows and warm overtones — instant nostalgia.
Cyberpunk STUDIO High saturation blue-purple shift with boosted neons — futuristic night aesthetic.
Night City LITE Teal shadows with neon-bright highlights and deep contrast — urban after dark.
True Color LITE The calibration baseline — real micro-contrast, foliage pulled off neon, skies given density, highlights recovered from video-white. Obvious on the toggle, invisible in the frame.
Soft Natural LITE The flattering daily driver — gentle warmth and a soft shoulder that stays dense instead of hazy. The "no filter" filter, now with actual weight behind it.
Neo-Noir Haze STUDIO Heavy orange-teal split with atmospheric haze — dystopian neo-noir at its finest.
Scorched Earth PRO Bleached orange highlights with desaturated midtones — scorched earth war aesthetic.
Code Green PRO Iconic green-tinted world with crushed blacks — digital reality simulation look.
Antihero STUDIO Dark moody grade with sickly yellow-green shadows — gritty character study tone.
Neon Assassin PRO High-contrast blue-teal shadows with neon-punched highlights — stylish action noir.
Desert Epic STUDIO Warm desaturated sand tones with blown highlights — epic desert landscape grade.
Deep Space PRO Cold blue clarity with sharp detail and restrained color — vast and clinical sci-fi feel.
Frontier PRO Cold muted naturals with deep shadows — raw wilderness survival aesthetic.
Starlit Romance STUDIO Saturated warm nostalgia with vivid primaries — romantic retro-musical dream.
Critical Mass STUDIO Extreme desaturation with crushing contrast and grain feel — almost monochrome intensity.
EMBER STUDIO The hero — the one you reach for most. Daylight teal & orange with dense saturated shadows and warm protected skin: a modern take on the trailer look, not a 2015 filter.
GRIT STUDIO The doc look — bleach-silver, heavily desaturated but carried by maximum density so it reads as silver retention rather than grey. Weighty contrast, skin kept warm against the steel.
MOONLIGHT STUDIO The night workhorse — steel-blue ambience over dense controlled blacks, skin held warm through a narrow protect. Built for footage that is already dark, not a day-for-night trick.
GOLDEN STUDIO Golden hour — warm dense shadows and sun that blooms instead of clipping, blues calmed rather than killed. Travel and summer content that still holds believable whites.
SILK STUDIO Skin first — soft-contrast beauty with a gentle toe lift and pastel warmth that stays exposed and dense instead of washing out. Talking heads, beauty, interviews.
ARCTIC STUDIO The cold counterweight — clinical blue steel for tech and winter work, with a dedicated skin protect so faces never go corpse-grey.
SUMMIT PRO Crisp alpine grade — neutral snow whites, deep natural sky blues, cool desaturated shadows. Highlights hard-protected so snowfields and glaciers hold detail.
EVERGREEN PRO Deep forest look — foliage greens pulled toward rich emerald and darkened for woodland density, with warm light through the canopy. Fixes the neon-green digital foliage problem.
MIST LITE Overcast and fog atmosphere — lifted matte blacks, soft low contrast, muted cool neutrals. The Scandinavian hiking look that makes grey-weather footage feel intentional.
DUSKFIELD PRO Golden-hour terrain — amber highlights against cool shadow separation for depth, enriched earth tones, skies that keep their blue. Built for sunsets over land, not faces.
COASTLINE LITE Sea and sky — water pulled toward clean teal, warm sand, bright airy contrast. The travel-reel beach look with highlights that never clip on glare.
Quiet Drama LITE Low-contrast filmic neutral for dialogue scenes — soft rolloff, honest skin, nothing shouting. The grade that stays out of the story's way.
Amber Night PRO Tungsten-interior warmth with protected highlights — bars, restaurants and lamplit rooms that glow instead of going orange.
Northline PRO Cool overcast filmic — restrained Scandinavian contrast, steel-blue shadows, whites that stay clean. Grey weather made deliberate.
Honey Glow LITE Soft diffused warmth built around skin — golden without the orange cast, gentle contrast, glow instead of glare.
Late Summer PRO Nostalgic golden-green — long evenings, dry grass and low sun. Warm highlights over softly olive mids for backyard and field footage.
Firelight PRO Deep amber low-light warmth — candles, campfires and string lights. Rich shadows that hold detail while the light source blooms.
Slate LITE Desaturated blue-grey drama — the interview-with-weight grade. Controlled shadows, muted color, nothing sentimental.
After Rain PRO Wet-street cool — reflective highlights kept bright and clean over deep neutral shadows. Made for pavement, glass and drizzle.
Undertow PRO Deep green-black shadows with cold restraint — thriller tension. Color drains as the image darkens; highlights stay surgical.
Studio White LITE True whites on seamless backgrounds — product photography discipline for video. No cast, no drift, colors measured and honest.
Soft Daylight PRO Window-lit brightness for beauty and tutorials — airy but not washed, with skin kept a touch warm against clean neutrals.
Showroom PRO Crisp neutral punch for tech and e-commerce — micro-contrast, disciplined saturation, edges that read sharp without sharpening.
Slide '74 PRO Aged slide film — amber drift in the highlights, cyan creep in the shadows, and the dense mids of a carousel tray from 1974.
Home Movie LITE Faded 8mm warmth — lifted blacks, soft magenta-leaning reds and gentle blur-era color. Instant family-archive nostalgia.
Tokyo Rain PRO Wet neon in magenta and cyan — signs doubled in puddles, protected highlight bloom, shadows that stay blue-black instead of muddy.
Vapor LITE Pink-violet dusk — retrowave softness with lifted shadows and pastel neons. The gentle end of the night-city spectrum.
Midnight Arcade PRO Green-cyan glow over deep contrast — CRT light on faces, phosphor accents, blacks that swallow the room around the screen.
Documentary LITE Tonal authority for footage that has to be believed — deeper toe, controlled highlights, muted-but-weighty color. News-doc realism, not a 2% nudge.
True Skin PRO The mixed-light face rescue — narrow-width work in oranges, reds and yellows holds skin accurate and flattering while the rest of the frame stays honest.
Plain Light PRO The overcast fix — adds the contrast flat grey light never gives you and neutralises the blue-grey cast. Corporate and talking heads that look properly lit.
Deep Desert PRO The hero grade — parchment monochrome daylight. Everything drawn onto one ochre axis, saturation low but dense, highlights that blow out to cream instead of white. Skin stays warm while the world goes to sand.
Spice Storm STUDIO The trailer moment — golden-amber atmosphere at full strength. Heavy warm contamination, storm-light contrast, sun that blooms through dust. For golden hour, haze and backlit shots.
Moonless PRO The night workhorse — steel-blue shadows and pale moonlit highlights over near-black ambience, with skin held warm through a narrow protect. Night exteriors, caves and low-light interiors.
Black Sun STUDIO The infrared look — near-monochrome under a bleached sky. Saturation stripped to a trace, silvery luminous skin, bloomed highlights and deep controlled blacks. Instantly recognisable, nothing else ships it.
Slate Tide PRO The cold counterweight — muted ocean grey-blue, overcast softness, greens pulled out to slate. Makes the pack work on rain, coastlines and moody days, not just sand.
BARE LITE The everyday beauty pass — neutral white balance, faces put back on the skin-tone line and held there. No style imposed, no cast to argue with. Interviews, talking heads, anything that has to be believed.
NECTAR PRO Sun-kissed without the fake tan — warmth carried in the highlights and the split-tone rather than dumped on the whole face, and yellows pulled back so the glow reads golden instead of corn. Golden hour, beach, lifestyle, weddings.
COCOA PRO Built for medium-to-deep, melanin-rich skin, which most skin LUTs quietly are not. Warm lift instead of blue so shadowed skin never goes ashy, the red undertone protected rather than desaturated, and a real luminance lift on the skin band so a face separates from a dark background instead of sinking into it.
PORCELAIN PRO Fair and cool skin under window light, LED panels and overcast — the light that turns faces pink and blotchy. Tint pushed off magenta, reds walked back onto the line rather than muted, and a long soft shoulder so foreheads and noses roll off instead of clipping. Beauty, fashion, editorial.
EMULSION STUDIO The film pass — hard toe, cool-green highlights, saturation held down and carried by density. The stylised one, and the test of the whole pack: the frame goes to print stock while the face stays warm, on the line and crisp. B-roll, narrative, music video.
True iPhone FREE The trust-builder — a clean, correct Apple Log 2 conversion with film density and honest skin. Noticeably richer than Apple's own LUT without tipping into a style.
Blockbuster STUDIO The money look — deep teal shadows, warm protected skin, bold filmic contrast with dense saturated darks. Narrow hue targeting keeps faces natural while the world goes cinematic.
Golden PRO Golden-hour travel and lifestyle — amber highlights, dense warm shadows, sun that blooms instead of clipping. Skin glows without going orange.
Neon City STUDIO Night and neon — dense noise-free blacks, saturated protected signs, cool blue undertone. Built for what iPhones actually shoot after dark.
Concrete PRO The muted street look — desaturated but dense, weighty contrast, a gold-and-steel palette. Understated is the hardest look to fake; the density stage is what makes it read as graded, not grey.
Feed PRO The social finisher — contrast and chroma tuned to survive Instagram and TikTok re-encoding, midtones weighted for vertical crops where the subject fills the frame.
Haze PRO The hazy film look — milky lifted blacks, creamy rolled highlights, soft contrast with a faint warm veil. A LUT shifts tone, not pixels: pair with a touch of your editor's glow for true diffusion bloom.
Cine Print STUDIO Motion-picture negative emulation — warm mids, real cross-channel color contamination, green-leaning shadows and dense print color. The "shot on film" look for Apple Log 2.
Silver STUDIO Bleach bypass — heavy desaturation under high contrast with maximum density, the silver-retention thriller look. Skin keeps a trace of warmth against the steel.
Sage PRO The green-leaning cinema grade — green-tinted shadows under sodium-warm highlights, moody and precise, with skin kept clean out of the green. The one hue territory the rest of the pack leaves alone.
Ivory PRO Soft pastel daylight — airy low contrast that stays dense instead of washed out, creamy protected skin, muted skies. The lifestyle look, built on the film-density stage.
Chrome 64 PRO Saturated slide film — deep reds and warm yellows, solid blacks, skies pushed toward cyan. Classic transparency colour for street, food and travel.
Sun Fade PRO Sun-bleached nostalgia — matte blacks, creamy warm highlights, olive greens and pastel skies. The soft summer-memory look for holiday recaps and day-in-the-life reels.
Graphite PRO Dark, quiet and heavy — a cool slate palette, dense detailed blacks and colour pulled right back, with skin held so faces never go lifeless. For overcast cities, winter and tense, dramatic scenes.
Downpour PRO Cold, wet, cinematic rain — a blue-green cast and teal shadows, colour muted everywhere except red and amber lights, which burn against the wet ground. For rainy streets, umbrellas and reflections, day or dusk. ← Prev 1 2 … 8 Next → 1–24 of 175 Every grade downloads as a 33³ .cube with the log decode baked in. Shoot Apple Log on iPhone 15, 16 or 17 Pro ; D-Log M on the DJI Mini 4 Pro, Air 3, Pocket 3/4 and Action — or 10-bit D-Log on Mavic 3/4 Pro, Inspire and Ronin; S-Log3 on Sony A7, FX and ZV bodies; V-Log on Panasonic GH and S; C-Log3 on Canon R and C; N-Log on Nikon Z6–Z9; F-Log and F-Log2 on Fujifilm X and GFX; GP-Log on GoPro HERO12/13; I-Log on Insta360 X6, Luna Ultra, Ace Pro 2 and X5 — or HLG (BT.2100) HDR from Sony, Canon and recent phones. Regular Rec.709 footage needs no profile at all.
What’s different here Every claim below has a receipt The preview is the product + − Every grade on this page renders live, on real footage, using the same maths that writes the .cube you download. The preview isn’t a retouched still — it’s the file, running. Don’t take our word for it: load your own frame and look.
The decode is in the file + − Our camera packs convert log to Rec.709 and grade in a single .cube. One node in Resolve, one adjustment layer in Premiere — no “apply the conversion LUT first” footnote, ever.
Authored against the camera, not converted from a master + − An X6 grade keeps shadow lift restrained because a 360 reframe crops in, and lifted noise is the fastest way to make 8K look like 1080p. A snow grade rolls highlights hard because that’s where snowfields die. Each pack is built around what its camera actually gets wrong.
Strength is baked, not faked + − Download any grade at 50, 70 or 100% and we regenerate the file at that strength. Most editors do have a mix slider — but on log footage theirs fades back toward the flat original, washing the picture out, and Resolve has no per-LUT mix at all. Ours fades the look and keeps the conversion.
175 grades, not 500 + − Small packs, five to twelve looks, and every grade has a stated job — you can read what each one is for before you buy it. If two looks did the same thing, we shipped one.
Buy once. Remasters are free + − No subscription. When we re-authored the Core Set on the current engine, every owner got the v2 files in place — same looks, same names, better maths. That’s the policy, and it’s already happened once.
The free ones are the same product + − 7 complete grades — one conversion for every camera we support. Full-strength .cube, same engine, no watermark on the file. Free is a sample, not a demo.
What a LUT is, and what it can’t do Read it →
How to install .cube — works in every editor below 1 Open your project and go to the Color page.
2 Right-click in the LUT gallery (top-right) → Open LUT Folder.
3 Copy the .cube file into the folder.
4 Right-click the gallery again → Refresh.
5 Right-click your clip node → LUT → select the iReelz LUT.
1 Apply the Lumetri Color effect to your clip.
2 In the Creative section, click the Look dropdown.
3 Click Browse… and navigate to the .cube file.
4 Adjust Intensity slider to taste (default 100%).
1 Select your clip in the timeline.
2 Open the Color Inspector (top-right).
3 Click the Effects browser → Color section.
4 Apply "Custom LUT" effect to the clip.
5 In the inspector, click the LUT dropdown → Choose Custom LUT…
6 Select the .cube file.
1 Open CapCut desktop — the phone app can't import .cube files.
2 Go to the Adjustment panel → LUT → Import.
3 Select the .cube file and confirm.
4 Click + on the LUT to apply it, or add it on an adjustment layer for the whole timeline.
5 Set the Intensity slider to taste.
1 Select your clip on the timeline.
2 Go to Color tab in the properties panel.
3 Scroll to 3D LUT section.
4 Click "Load new LUT" and select the .cube file.
5 Adjust the strength slider.
.CUBE 3D LUT Same file works everywhere — download once, use in any editor.